According to the book " A Welsh Song in
Patagonia” (2005), the Welsh Baptist minister William Casnodyn Rhys (1851 –
1941) “invented an international
language on a similar basis as Esperanto”.
I have now discovered, after much searching, in the archives of the National
Library of Austria in Vienna, a modest privately printed leaflet on a project
called Latinoid, dated March 1904. It does not receive a mention in Drezen’s
fairly comprehensive “Historio de la Mondolingvo” (1931) There is no copy in
the Butler Library of the Esperanto Association of Britain (usually good on
IALs) and I can find no copy in The National Library of Wales. The copy in
Vienna bears the handwritten words” For private circulation only”.
The author, giving his name only as “W.C.R.” presents
his Latinoid as “an adaptation of Latin for Auxiliary International Language
especially for the exigencies of commerce and travel”. William Casnodyn Rhys
was probably unaware that his project was just one in a long line of versions
of Latin which had been published. He was probably unaware of Peano’s Latino
sine Flexione, which was first presented in Italy the previous year. There have
been a large number of “Artificial Descendants of Latin” as Alan Libert calls
them. These included Rosa’s Nov Latin from 1890, Linguum Islianum (named after
its creator Fred Isly) published in 1902, Reform-Latein, also from 1902, and
Mundelingva, published in the same year as Latinoid.
Rhys argues that “There is no reason why so rich an
inheritance as the Latin vocabulary should be consigned to the limbo of the
dead. It is extensively understood…” He was writing, of course, at a time when
Latin was part of the intellectual equipment of every gentleman.
The following is the text of The Lord’s Prayer in Latinoid
as given in the leaflet:
“Pater noster, cui es in coelo, nomen tuus sit
sanctificatus, regno tuus le-veniam, volontas tuus sit facitus, tam in coelosit
etiam in terra. Da panis noster cuotidianus a nos hodie. Et remitte
debitos noster a nos, tam etiam nos-remitteo a debitores noster. Et non induce
nos in tentatio, sed libera nos de malo, cuia regno est tuus, et potentia, et
gloria, semperiternus. »
When I came across Rhys's work, I had hoped for a Celtic influence, because he was a Welsh speaker, but, alas, I could find none.